In the making of the previously posted cymatic work, each day included the ensemble of paper pulp and sand, color, circles, sound frequencies and the inspirational use of musicand sometimes silence.
In arriving at the studio the last precious day, the wet paper formed the previous night awaited me. I stood alone in the room, silentmeditating, listeningwaiting, waiting. After days of intense, focused work it was clearthere was not one circle left inside me, not one. The body of work was completeyet, I had these seductive white forms before mewaiting. I chose Bach for inspiration, listened again, lifted the black-pigmented pulp and danced amongst the forms, pulp painting in response to the music. Different times of the day initiated different responses, different marks. Upon reflection I realized this line work would not be complete without the sand inclusion signifying this mark in timethe circles (!) chosen in contrast to the line. These formsthis work while mindful and disciplined embody human experience, relationships, and interconnections informed ultimately by inner and outer landscapes.